Moving One Section Fixes Three Problems
I once spent three weeks staring at a manuscript for a client who was convinced her third chapter was the “soul” of the book, only to realize it was actually a glorified roadblock that killed her momentum. She’d spent her entire budget on a developmental edit, but she was treating the structure like a sacred relic rather than a blueprint. Most writing gurus will tell you that your narrative flow is a matter of “intuition” or “artistic instinct,” but let’s be honest: that’s just a polite way of saying they don’t want to talk about the grueling, unglamorous labor of…